Note: Alternate fingerings just change the partial you are in. The fifth partial is quite low and these might require alternate fingerings on your instrument. The fifth partial is when you play these notes with the given fingerings (again down an octave for tuba). These notes will naturally be a little sharp. This is known as the third partial when you play these notes with the given fingerings on euphonium (everything is down an octave for tuba). It’s just a basic fact that comes from the math behind the physics of sound. It will take quite a bit of time and practice to become natural.Įvery instrument will be slightly different, but the general trends are the same. The earlier you start learning this, the better. Some of the notes are pretty close, and others are very far off. It turns out that the overtone series doesn’t produce notes as we think of them in our standard Western 12-note scale system (equal temperament). Then from the open fingering up to the F with an open fingering is called the third partial. I’ve put the high A-flat in parentheses because it is theoretically part of the overtone series, but it cannot be played in tune or with clarity with no valves pressed down.Īll of the notes between two sets of open fingerings are called a partial.įor example, the low B-flat to the next B-flat up is called the second partial (because the notes below the fundamental make up the first partial). The third valve length is a tiny bit longer than 1-2, but they produce the same notes. It’s good to look at your instrument and convince yourself of this and then look back to the chart to understand the pattern. The length of tubing gets gradually longer in the following pattern: This is because changing the number of valves down moves the fundamental. You may have noticed that fingerings repeat in the above fingering charts.įor example, the open fingering on euphonium has a fundamental as B-flat, and then all the other notes in the overtone series can be produced with the same fingering.Ī valve instrument changes the length of tubing by pressing a set of valves down.Ī good concept to remember is that the collection of notes made by pressing down a valve combination is the same as the overtone series above just shifted down. Basic Three-Valve Tuba Fingering Chart Notes on Partialsīrass instruments work by producing a distinct set of notes over top of a fundamental for each length of tubing. The sooner you start to understand these things, the better. I’ll still urge you to read further down about partials and alternate fingerings. If you’re just getting started or learning some new notes, you probably just want the basic chart. Basic Three Valve Euphonium Fingering Chart The notation of 0 means a totally open fingering (no valves pressed down). So, the notation for a low E given by 1-2-3 means press down the first, second, and third valves. The 3 means your ring finger, and the 4 means the fourth valve, if you have one. How to Read the Fingering Chartsįingerings are given below with the standard notation of “1, 2, 3, 4.” A 1 means press the valve down under your “first finger,” otherwise known as your index finger.Ī 2 means the “second valve,” otherwise known as the valve under your middle finger. This should help you understand new fingerings when you don’t have a chart available and will help you work out good alternate fingerings. I’ll use a non-standard set of charts that build in concept rather than giving all the charts in one giant block. It also provides some commentary on why they work to help you understand them. This article will give you the standard tuba and euphonium fingering charts.
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